Wednesday, 29 April 2015

Avengers Age of Ultron Review

 Avengers Age of Ultron


 Author: frymypants

The main issue with this film is certainly the pacing, its condensed story structure leaves very little time to really absorb each character, there are too many subplots running throughout the film.

Iron Man's self destructive trend, Scarlett Witch's and Quicksilver's character arcs, Ultron's justification for the end of the world, Vision's choice to be for humanity, Hulk and Black Widow's romance and their own feelings about their place in the world, Hawkeye's background, minor characters making cameo arcs and with that comes at least an hour of fight sequences (ala Man of Steel influence). Excess would be the sin of this film and lack of moments of self reflection effects the film in a non positive manner.

Problems begin with starting with a big fight sequence that takes you completely out of the characterisation and puts them in an objectified position, it should have really slowly reintroduced to you to the world instead of heading in.

The problems continues with Aaron Taylor-Johanson's Russian accent which was just off putting for some reason and his limited time for characterisation did not leave you weeping for like Coulson.

Ultron's flawed design and Metallic lip movements seemed unnecessary for a robot and expensive and also he wasn't as interesting a Loki. The amount of robots brought back unwanted nostalgia for the climaxes of Iron Man 2 and 3. This after all not a Transformers franchise!! Vision in my opinion was fine, he looked good to me, and his connection to Scarlett Witch was watchable.

However Thor was completely underused and just knowing where to put the infinity stone at that specific moment in time is a moment that cannot suspend disbelief.

The jokes mainly felt, due to pacing issues and tonal difference, kinda like bad throwaway one liners though some of the landed appropriately however what I did need fleshed out was Black Widow's hide the zucchini talent, that would have been very entertaining.

The choreography for the fight scenes were ambitious and watched by themselves is an excellent example of superhero team fight, but in this film often messy in relation to its story structure. Captain America's fight sequences being fundamentally my favourite.

What this film can't compare to it's predecessor, organic moments of characterisation and visual comedy. The first team-up, the battle for New York, "Always being Angry", the big "Owie", "Hulk vs Thor", "Hulk saving Iron Man"", "having red in your ledger" and "mewling quim". The lack of memorability for me at least is what causes the root of my disappointment in this film.

That's why I cannot give it a 7.0, Whedon can do better he's an organic writer who got caught up in an overly ambitious plan to tell an entire season of Buffy in 2.20 hrs. Stripping it down, even building up the flash backs from the very beginning to the last one where Scarlett Witch attached to Tony would have worked better, even at a sense of mystery why the flashbacks occurred to create that tension and maybe push it more toward they Arne't fears actual vision of what can occur would be thematically more interesting.

Final verdict 6.8/10

Tuesday, 3 February 2015

Ugly Hindi Movie Review

Ugly is undoubtedly the best crime thriller film of this year.It is the story of Rahul,an aspiring actor whose daughter gets kidnapped.Shoumik,a rigid police officer comes to investigate the case as he has married Kali's mother after her divorce with Rahul.After the kidnapping a dirty game starts to unfold in which humanity is kept on hold.Where is Kali and who has kidnapped her are some of the questions which forms the rest of the story.

The script is very tight and its execution is excellent.Once you get submerged in the movie then you don't even bother to blink.The movie tales a twisted story in which every character has a grey shade.No one cares for the subjugation of a person due to their greed.This is a powerful story of temptation,greed,hate,desire and helplessness.The climax of the movie makes you uneasy.It contains a killer twist.It portrays the harsh but true reality of our society.The main plus point of the film is that you can't think what will happen next.It is not an over the top thriller film where everything happens to easily for the hero.

The star cast of the film is a main plus point.Ronit roy is excellent.He portrays the role of a rigid police officer in a dynamic manner.Rahul bhat is very good.Surveen chawla is also good.Every cast member is perfect in their respective roles.Dialogs are good but are adultery.

Anurag kashyap is known to make true cinema and this one is no exception.His direction is flawless.It is an another masterpiece of his career.

If you are a lover of true cinema then it is a must watch for you.A great crime saga which contains a killer twist in the end.A great cinematic experience..... 8.2 out of 10 is my rating.

Friday, 30 January 2015

BABY Hindi movie Review

Though I don't categorize movies on the basis of their region or country, I had mentioned this title regarding India being proud of this movie. This is because I have heard people yelling in social media and in public about the low standards of Indian movies specially thrillers which either lack thrill or are copied from Hollywood. I agree to them o most occasions but this one. And I would strongly recommend people who complain about the lack of good movies in Bollywood to go and watch it. Or else stop complaining these craps.

Coming on to the movie, it describes the biggest agenda world is facing right now, i.e, Terrorism, in best way it could. The story comprises of many small incidents which are bound together so slickly that we feel the smooth flow of script. We are lost in the hustle going on in front of us and are keen to know what is coming next. First half makes the plot for the movie and the second half unleashes the execution. Each and every scenes complements its predecessor and we are biting our nails without even noticing it. Last hour is full of thrilling actions and grueling proceedings.

Talking about the acting , I must say Akshay Kumar has delivered a role of his life very convincingly. He lives his character and puts that extra amount of thrill via his superb action. Danny plays his role quite brilliantly. Anupam, Tapsee, Kay Kay and other supporting casts act life to their characters and make this movie a combo of power packed performances.

Director Neeraj Pandey has already made a Wednesday and Sp 26 in past and thats why there was a very little scope for improvement for him. But I would be lying if i don't say that this is a notch higher that his earlier masterpieces. Editing is quite crisp. Screenplay is the soul of this movie while BM is equally engaging. Cinematography is grand and deserve applause. Dialogues are apt and support the movie a lot. Music is average and rightly so. Choreography is nil while action is breathtaking.

It has a few flaws here and there in a few scenes but those are hardly noticed due to the fast paced drama and screenplay.

Overall, a standing ovation for Neeraj and Akshay to give us Indians a movie to feel proud of. It can easily go into books as one of the best Hindi movies.A movie of Hollywood standard and execution.

Sunday, 25 January 2015

I (Ai) Tamil movie Review

Prior to the release, the movie had immaculate hype for an "international quality" story line. Both from the director and the lead actor.

Vikram quoted this as his dream role and the best one he has done yet. The actor has put a lot of effort into the role, with not only the body transformations, but also with the incredible acting. But the real question is, was the story worth it? To me it's a NO!

Pithamagan, Sethu and Anniyan still stay to be the best of Vikram.

The story is something any 10 year old could guess.

STORY: A body builder and gym owner (Vikram) meets his crush, a TV model on a shooting set. Through a series of events Vikram is made to be a model by Amy. They eventually get into a relationship and become top models. Leading to jealousy and animosity, among the villains. There after it is a usual revenge story. Bad guy loses - good guy wins.

The movie has a lot of plot holes or should i say, factual errors. Mostly on the revenge methods.

MUSIC: AR Rahman fails in this one with his poor background score. No songs in the movie gets the fans dancing. But ARR saves his name with "Ennodu Nee Irundhaal" song, which is absolutely breath taking.

Cinematography: PC Shriram, nothing more to be said. The visuals from China are more than enough to show what the man is capable of. Brilliant.

Make UP & Art: Absolutely brilliant. 10/10.

In an interview Shankar, describes himself as "never disappoints". Sorry sir, but after watching films like Anniyan and Mudhalvan, you certainly did disappoint us.

The movie "I" is technically brilliant, but intellectually stupid.

Sunday, 21 December 2014

PK Movie Review


Direction : Rajkumar Hirani
Production :
Vidhu Vinod Chopra,Rajkumar Hirani
Screenplay :
Abhijat Joshi,Rajkumar Hirani
Starring :
Aamir Khan,Anushka Sharma,Sushant Singh Rajput,Boman Irani,Saurabh Shukla,Sanjay Dutt

Rajkumar Hirani proved his mettle with the Munnabhai series & the astounding 3 Idiots, and with 'P.K', his latest outing, the supremely talented filmmaker proves that he's indeed a Genius! A film that is funny, at times hilarious, but lastly, is a film about finding truth within ourselves. Its a powerful film, that left me astonished!

'P.K' Synopsis: An alien stuck on earth, gets help from a budding TV-anchor, and later learns about Religion & a fear named God.

'P.K' raises questions upon God, God-Men & Religion. I'm an atheist & I could connect with the protagonist's fight against the "almighty" to a great extent. The film has moral as well as a terrific message, that will leave this godly world we live in, rather stunned. Hirani's story offers moments of pure hilarity, subtle romance, tuneful songs & hard-hitting drama.

Hirani's Screenplay is excellent. P.K's journey on earth, will leave you in splits. His voice against the God-Men, are clap-worthy, while his Romance with his human girlfriend, is cute. What's truly funny, is that, P.K, an alien, looks far more sorted & normal in comparison to the human characters. And that's Hirani's genius! He delivers a story about our fears & flaws & he executes it, remarkably well.

Hirani's Direction is simple, yet effective. Cinematography & Editing are perfect. Music by Various Artists is tuneful. Visual Effects are decent. Make-Up is nicely done.

Performance-Wise: Aamir's portrayal of 'P.K', is simply astounding! He delivers a moving, heartfelt performance, that touches the core of your heart. He carries the film on his board shoulders & steals the show. His finest performance to date! Anushka Sharma is lovely. Also, Her on-screen chemistry with Aamir, is adorable. Sanjay Dutt is lovable in a cameo. Sushant Singh Rajput, also, shines in a brief role. Saurabh Shukla is incredible as the God-Man. His scenes with Aamir, are captivating. Boman Irani is first-rate, as always. Parikshet Sahani is wonderful. Ranbir Kapoor makes an amazing appearance.

Wednesday, 19 March 2014

District 9 Movie Review

 District 9

Direction : Neill Blomkamp
Production :
Peter Jackson,Carolynne Cunningham
Screenplay:
Neill Blomkamp,Terri Tatchell

Starring :
Sharlto Cople,David Jame,Jason Cope
Music : Clinton Shorter

District 9 is a story about aliens who make contact with Earth and the relationships with humans and society. The creatures were set up in a makeshift home in South Africa's District 9. Control over the aliens has been contracted out to Multi-National United (MNU), a private company uninterested in the aliens' welfare. Their sole interest, alien technology and weapons. Weapon research would mean huge profits for the company. Wikus van der Merwe (Sharlto Copley) is placed in charge of the filed operation to evict, remove, and place the aliens in a new holding facility. Conflict and tension threaten the operation as agents move in.

Don't be fooled. This isn't your typical alien sci-fi action movie. What got me was the believability. If there were aliens out there that were able to make contact with Earth, it seems it could have gone something like this. The way the perspective switches from mock documentary style to standard third person certainly contributes to it. "Real" news footage and interviewers tell the story in retrospect, as the events of the movie have already occurred when they are being interviewed. I think it all added to the realism of the experience.

Usually in these type of films, it's mostly mindless action and the story is lost. Not the case here. There's so much more to it. It's also about betrayal, loyalty, trust, relationships, and sacrifice. It can actually be pretty deep and thought provoking with many themes floating around. The film's really about the story which is really a fresh, gritty, original concept, which is good to see nowadays.

While the creatures can be most readily described as monsters, though they are like us. Family and friendship are still important ideals in their world. The film explores a fine line between human emotions and monsters. With all the selfishness, hatred, and greed within us, maybe we are the real monsters or at least that's how it can be perceived.

Neill Blomkamp does a tremendous job with the direction and realism of the film. Sharlto Copley blew me away. I was shocked to see this was his first acting role. The action sequences were well done as well. District 9 is a very unique sci-fi film, one that shouldn't be missed. Mind you, this isn't a film for everyone. It's violent, and many parts can be cringe worthy. Be warned but be ready for one of the best films of the year thus far.

Monday, 2 September 2013

Prisoners Movie Review

There is a scene in "On Dangerous Ground" (1951) in which half-crazy detective Robert Ryan is about to beat the living crap out of a suspect to gain information. Ryan's features twist into a pustule of hate, hardly human. "Why do you DO it? Why do you punks make me DO it?" And then he goes frantically to work.

This is a a more complex story of the kidnapping of two little girls and the lengths to which the parents and police are willing to go to either retrieve the victims or find the bodies. But the most complicated character, the father who engages our interest because he instrumentalizes his grief and anger (Jackman), does more or less what Ryan does in the earlier film. He goes berserk, tramples on the law, and reduces a half-wit that he suspects to a bloody pulp.

There are harmonies in the sometimes torpid story that I didn't quite get or wasn't sure of. There are ominous organ chords, a drunken priest who is a red herring, and references to penance. There's a candle light vigil for the girls. It's deep enough, even without any spiritual content. After all, when you get right down to it, the question raised by Jackman's tactics is: "How far is it ethical to go in torturing a prisoner, even in a good cause?" It's a medieval issue but recently a more contemporary one.

It's a long movie -- too long, really -- and it could have benefited from more ruthless cutting, yet it all adds up. The director, Villeneuve, effectively captures the drab aspects of working-class life in one of those flat, brick, ranch-type residential neighborhoods on the outskirts of a small town in Pennsylvania, actually shot in Georgia.

The acting is, well, hard to describe in a word but maybe "naturalistic" will do. It's something like "All The President's Men" in that respect. The kidding around and the hesitations and interruptions don't sound as if they were being read from cue cards.

Jackman is fine as the enraged father who is determined to beat a confession out of his retarded prisoner, but he's not a sadist. He doesn't ENJOY doing it. And the scenes are truncated, avoiding the nasty current affection for torture porn that has infected movies like "Unthinkable" or the unbearable "The Killing Gene." The viewer is likely to be "for" or "against" the other characters but Jackman's is problematic. He's not just rude or irrational. He's brutal. It's what makes it the most interesting role.

In fact, everyone pulls his or her weight, but Maria Bello is truly impressive, though she doesn't have that much screen time. And Mellisa Leo as the mother of the chief suspect is outstanding. One of those distant, suspicious, kindly authoritative, slightly sour Midwesterners, though she's from New York.

The ending collapses in upon itself. People do idiotic things like search dangerous places without calling for back up. Without warning, a familiar character splits open and reveals the demon within. Cliché follows cliché. I still don't exactly understand it. The rest is tense, involving, quite well done.